‘Morgan le Fay and Other Women’ is an interdisciplinary study that seeks to rationalise the various manifestations of a universal Other in medieval culture. Using Theresa Bane’s statement that ‘Morgan le F[a]y is a complicated figure in history and mythology; she has had many names and fulfilled many roles in religion and folklore’ as a focal argument, I present a methodology that identifies these ‘many names’ from what might be described as a primarily medieval perspective. Exploring the medieval notion of ‘character type’, this establishes a series of defining attributes that the culture of the period likely regarded as a ‘standard list’ for Morgan’s underlying identity: the Other Woman. Asserting that Morgan’s role in the medieval tradition is largely an attempt on to manifest this age-old concept in a variety of forms appropriate for different authors’ milieus and genres, this thesis suggests that medieval writers project onto the character a series of attributes recognised as Other from their own contexts. By applying this method, which has a basis in medieval semiotics and philosophy, to a range of characters, I propose that derivatives of the ‘Morganic’ persona might be found in a range of genres including medieval romance, drama, folklore, and, in my final chapter, the tradition of male outlaws.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:691388 |
| Date | January 2015 |
| Creators | Lambert, Amy Annie Ophelia |
| Publisher | University of Hull |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://hydra.hull.ac.uk/resources/hull:13629 |
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