The thesis posits that the radical transformation in Carol Shields's writing during the 1980s, moving from rather conservative realist fiction to postmodernist metafiction, was influenced by practices and theories which reject 'totalising' concepts of the self, of language and of empirical reality, instead favouring models of thought that point up the cultural constructedness of all three.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:489948 |
| Date | January 2008 |
| Creators | Dilks, Kathy |
| Publisher | University of Chichester |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://eprints.chi.ac.uk/824/ |
Page generated in 0.0021 seconds