The thesis analyses the sensation novels of Edmund Yates and Wilkie Collins with emphasis on the representation of devotion within the texts. The thesis examines the depictions of four distinct types of character, the wife, the female friend, the disabled male and the servant, and identifies a trend within the novels of Yates and Collins whereby characters defy the conventional power structures of class and gender, obtaining agency via acts of devotion that nevertheless also perform and reinforce conventional social structures. The devotion between characters can therefore be understood as a force that ‘queers’ identity, reconfiguring relationships in ways that unsettle the bounds of heteronormativity. The sensational devotion of Yates and Collins is analysed in the context of the periodical press with which both Yates and Collins were closely involved. By using periodical articles as indicators of contemporary opinion and argument, the thesis explores Yates’s and Collins’s divergence from cultural norms, a divergence that opens up new possibilities for the sensation genre. Via these discussions the thesis seeks to re-assert Yates as a significant member of the sensation canon.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:666620 |
| Date | January 2015 |
| Creators | Brown, Lucy Victoria |
| Contributors | Barton, Anna |
| Publisher | University of Sheffield |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://etheses.whiterose.ac.uk/10032/ |
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