Re-use of ancient Egyptian architectural styles outside Egypt began in the time of the pharaohs and continues to the present day. The style draws on the structures, elements and motifs of ancient Egypt using both ancient and replica/pastiche pieces. I will argue that appropriation of the style should be seen as an active process designed to create a cultural object with specific meaning within the coeval social world. Drawing on the tenets of reception theory, I aim to explore the appropriation of Egyptian obelisks to early imperial Rome by considering the social circumstances, possible producer motivation and potential audience responses to the monuments. I will propose that the appropriation of Egyptian obelisks to Rome is a creative negotiation that prioritises particular aspects of the monument to address specific economic, political and religious circumstances within the appropriating society. At the same time it is important to consider the coeval perceptions of Egypt circulating in Rome and how these perceptions impact on the selection and reception of obelisks in the city. Central to my research is the presentation of a data set relating to fourteen obelisks appropriated to Rome, a detailed discussion of the ‘transfer vehicles’ which carried crucial information about ancient Egypt and obelisks from Egypt into the Roman world, and the identification of clusters of appropriation points within the imperial period; all of which help to create a more nuanced picture of why at least fifty obelisks were raised in Rome and how we might start to understand these acts of appropriation two thousand years later.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:749744 |
| Date | January 2017 |
| Creators | Hoare, Katharine |
| Contributors | Moser, Stephanie ; Jones, Andrew |
| Publisher | University of Southampton |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | https://eprints.soton.ac.uk/422139/ |
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