Wallace Stevens was profoundly affected by Nietzsche’s declaration of the death of God and his poetry reflects an ongoing struggle to understand what it means to be a poet in an age of disbelief. Although Steven’s early poetry suggests that this loss of belief created a sense of crisis in the poet, his later work indicates a full acceptance, even an embracing, of this loss, recognising it as the inspiration for poesis. The thesis considers Stevens alongside of such thinkers as Nietzsche and (the later) Heidegger and shows how the poet came to regard the shaking of the metaphysical foundations as a gift offering the possibility for poetry.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:513234 |
| Date | January 2003 |
| Creators | Bird, Darlene L. |
| Publisher | University of Glasgow |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://theses.gla.ac.uk/1675/ |
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