This thesis focuses on the connections between fin de siècle accounts of psychical phenomena and the extraordinary bodily capabilities of the characters in Henry James’s late novels. In reaction to the scholarly commonplace that these characters are simply refined out of corporeal existence, I posit the alternative that their bodies are unconventionally constituted: hyperaesthetic like the Society for Psychical Research’s ‘sensitives’, or materially reconfigured like the ‘etheric bodies’ of the dead envisioned by Sir Oliver Lodge, and thus perfectly adapted for life in the phantasmagorical world of James’s ‘major-phase’ and beyond. Against the backdrop of recent scholarly work on the material world of James’s novels by Thomas Otten, Victoria Coulson and others, and theories of embodiment such as those of Didier Anzieu, I assert the importance of fin de siècle psychical research narratives of the hyperextension of human bodily capabilities and their historical collocates in art, literature, and occult philosophy to fully excavate the cultural work with which Henry James’s late novels are involved.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:577833 |
| Date | January 2013 |
| Creators | Horn, Paul Matthew Austin |
| Publisher | University of Birmingham |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://etheses.bham.ac.uk//id/eprint/4413/ |
Page generated in 0.0015 seconds