ABSTRACT
This research report explores A. S Byatt’s ambivalent relationship to postmodernism
through a critical engagement with two of her recent novels, Possession and The
Biographer’s Tale. Both use the techniques, while simultaneously constituting a
critique, of postmodernism. The novels challenge postmodernism, indicating Byatt’s
misgivings about the continuing suitability of this mode of literary representation.
Possession is examined in detail, while The Biographer’s Tale is used to provide a
backdrop to the discussion of Byatt’s viewpoints. Possession is a pastiche of styles,
incorporating some of Byatt’s favourite literary forms. Postmodernism allows this
experimentation but disregards qualities the author values highly, such as a
celebration of traditional literature and the emotional affectiveness of history.
Possession considers the positive and negative aspects of the literary movement. This
thesis examines Byatt’s negotiation with postmodernism and the contribution of her
critical attitude towards the success of Possession.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:wits/oai:wiredspace.wits.ac.za:10539/6645 |
| Date | 09 March 2009 |
| Creators | Arthur, Susan Margaret |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Thesis |
| Format | application/pdf |
Page generated in 0.0017 seconds