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Programmatic Geographical Depictions in Large-Scale Jazz Ensemble Works: Major Works by Gil Evans and Chuck Owen and a New Work by Aaron Hedenstrom

This dissertation explores the creative process in large-scale jazz ensemble works that are programmatic in depicting geographical locations. This is achieved through analyses of Gil Evans's Sketches of Spain, Chuck Owen's River Runs: A Concerto for Jazz Guitar, Saxophone, & Orchestra, and Aaron Hedenstrom's Sketches of Minnesota. Each work is examined using five analytical categories: orchestration, large-scale form, harmonic/melodic development, programmatic framework, and use of featured soloists. The analyses draw from musical scores, interviews, biographies, recordings, and articles to reveal more about each composer's artistic intentions. This study contributes to the broader knowledge of large-ensemble jazz works and programmatic jazz works. This research meets the need for more critical analyses of important jazz ensemble works relevant to composers, arrangers, and scholars.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc849643
Date05 1900
CreatorsHedenstrom, Aaron
ContributorsDeRosa, Rich, Rohwer, Debbie Ann, 1966-, Murphy, John P. (John Patrick)
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formativ, 51 pages : music, Text
RightsPublic, Hedenstrom, Aaron, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.
RelationRecital: November 4, 2014, ark:/67531/metadc948582, Recital: April 4, 2014, ark:/67531/metadc917158, Recital: October 22, 2013, ark:/67531/metadc917123, Recital: March 7, 2016, ark:/67531/metadc850041

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