This thesis will examine the practice of relational aesthetics as it involves the viewer, as well as the way in which it plays out within and outside of the institutional setting of the museum. I will focus primarily on two unique projects: that of The Machine Project Field Guide at Los Angeles County Museum of Art on November 15, 2008, produced by Machine Project, a social project operated out of a storefront gallery in Echo Park; and David Michalek's Slow Dancing at the Lincoln Center Festival in New York City, July 12-29 2007.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:ccdl.libraries.claremont.edu:stc/74 |
| Date | 09 1900 |
| Creators | Lindley, Anne Hollinger |
| Publisher | Pomona College |
| Source Sets | Claremont Colleges |
| Language | English |
| Detected Language | English |
| Type | Text |
| Format | application/pdf |
| Source | Scanned document. |
| Coverage | Lincoln Center for the Performing Arts, New York (N.Y.); Los Angeles County Museum of Art, 2007-07-12 throught 2007-07-29; 2008-11-15 |
| Rights | Pomona College has non-exclusive publication rights. Permission is granted to quote from the thesis with the customary acknowledgment of the source. Copyright for each article is retained by the author. Republication in any form requires permission from the author of the thesis. |
| Relation | Theses and Dissertations from The Claremont Colleges - http://ccdl.libraries.claremont.edu/col/stc/ |
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