<p> In this paper I will present an introduction to the life and work of Bill T. Jones. I will then discuss the process and performance of the dance piece Still/Here. I will consider the controversy around Arlene Croce's response to Still/Here claiming it was "victim art". I will set up the theoretical framework of white supremacist and imperialistic cultures to illustrate how through that lens, Arlene Croce's article reflects white supremacist values. </p>
| Identifer | oai:union.ndltd.org:PROQUEST/oai:pqdtoai.proquest.com:1557454 |
| Date | 22 July 2014 |
| Creators | Becker, Kathy |
| Publisher | Mills College |
| Source Sets | ProQuest.com |
| Language | English |
| Detected Language | English |
| Type | thesis |
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