This thesis examined how skin-tone, gender, and sexuality, within the entertainment industry, help shape the micro-level process by which racial identity is constructed in American culture. The thesis analyzed and critiqued existing ideologies of race across the Americas, with specific reference to Jamaica and the United States. Issues and questions of re-representation within American popular culture are central concerns: in particular, the ways that Black women's roles are defined and redefined through the positionality of female performance artists within the male-dominated music culture. The thesis argued then that skin-tone is fundamental to the understanding of blackness, as American society continues to view race through the lens of the popular entertainment industry. The study examined the positionality of the light-skinned/or biracial Black woman's identity is fixed sexually within the racialized context of American society. The thesis concluded that the glorification of the light-skinned/or biracial Black female recreates a socio-historical and cultural-political context that simultaneously devalues the darker-skinned Black woman.
Identifer | oai:union.ndltd.org:fiu.edu/oai:digitalcommons.fiu.edu:etd-3090 |
Date | 01 January 1999 |
Creators | Brown, La Tasha Amelia |
Publisher | FIU Digital Commons |
Source Sets | Florida International University |
Detected Language | English |
Type | text |
Format | application/pdf |
Source | FIU Electronic Theses and Dissertations |
Page generated in 0.0125 seconds