One of the main goals of this thesis is to better understand Czech Neo-Baroque tendencies and their placement within the context of Czech sculpture in general. To be able to better understand the role of Neo-Baroque in this artistic branch it is important to first cover the process of Baroque's revival in Czech lands which triggered creative approach to Baroque motifs and the birth of Neo-Baroque at the end of the 19th century. This is covered in the first part of the thesis. The opening chapter mentions different perceptions of the term Neo-Baroque and how its understanding evolved from the 19th century until present. Chapter that follows elaborates on the topic of Neo-Baroque being one of the historicizing styles and discusses the cultural and ideological circumstances which led to its widespread use. The topic that strongly resonates here is the Prague urban sanitation which turned most of the sculptors into modelers who would transform Neo-Baroque facades of new buildings into complex decorative schemes. The topic in question also covers periodical swatches of Celda Klouček and Friedrich Ohmann, a very valuable ideological impulse which significantly contributed to raising awareness of the Baroque beauties of Czech provenience as an inspirational source for decorative sculpture and plaster...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:403874 |
| Date | January 2019 |
| Creators | Bezoušková, Martina |
| Contributors | Wittlich, Petr, Prahl, Roman, Šámal, Petr |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/doctoralThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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