The submitted thesis deals with Antonín Dvořák's trilogy of concert overtures Nature, Life and Love, Op. 91-93. After summarising the current state of research in existing literature followed by the overview of music and non-musical sources, the overture - and mainly concert overture - is depicted as a music genre and Antonín Dvořák's overtures are presented in general. Integral element of the thesis is a summarization of circumstances of the given works' origin and thus also putting them into the context of composer's oeuvre. However the focus of the thesis lies in a musical-analytical insight into each of the three overtures (In Nature's Realm, Op. 91 [B 168], Carnival, Op. 92 [B 169], Othello, Op. 93 [B 174]), where the author also takes their existing analyses into account and pays attention to their genesis according to the sources. Key words Antonín Dvořák, Concert ouverture
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:334750 |
| Date | January 2014 |
| Creators | Myslivcová, Eva |
| Contributors | Gabrielová, Jarmila, Ottlová, Marta |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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