<p>I am a practising classical soprano. After more than 20 years of professional singing, I re-trained my voice according to principles of the old Italian school of singing. In this essay, I examine the origins and priciples of bel canto, with special focus on appoggio and chiaroscuro, two key ingredients in the bel cantao tradition. I explore the relationship between science and the craft of singing, and what modern voice science has to say about the efficiency and health aspects of this technique, I also describe the profound effect it has had on me as an artist.</p>
| Identifer | oai:union.ndltd.org:UPSALLA/oai:DiVA.org:oru-9326 |
| Date | January 2009 |
| Creators | Wiger Pilotti, Katarina |
| Publisher | Örebro University, School of Music, Theatre and Art |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, text |
| Relation | Örebro studies in Music Education, |
Page generated in 0.0022 seconds