Bibliography: pages 67-72. / The work presented here is a bounded excerpt of a broader programme of creative endeavour. Framed by the constraints of the MFA degree , the special value of this project has been the opportunity it has presented to articulate some of the ideas that have developed over a period of time and have informed my working process. The theme of mining and related activities forms the visible field in which I have extended my formal pictorial methodology . The visual primacy and corporeality of form in painting have been the enabling vehicles assisting me to re - code selected iconography. The genealogy of this form and its development is chronologically traced in three groups of work preceding the body of work executed for the MFA.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/16369 |
| Date | January 1992 |
| Creators | Payne, Malcolm |
| Publisher | University of Cape Town, Faculty of Humanities, Michaelis School of Fine Art |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Master Thesis, Masters, MFA |
| Format | application/pdf |
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