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The case of immoral art : "uncensoring" BLIND DATE

Looking at John Duncan's 1980 art performance, BLIND DATE, and its morally controversial content, I propose to investigate the nature of art's relationship to morality. My research consists of determining whether "immorality" represents an obstacle to the ontological identity of art and to artistic value. To question the authority of ethical criticism in art, I review a contemporary philosophical debate, which opposes two main schools, one in support of the validity of ethical criticism in art and the other against it. Following up on the second position, I elaborate a definition of art and a system of evaluation that aims to determine artistic value, both of which allow space for the potential artistic legitimacy of immoral art.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.99740
Date January 2006
CreatorsPerlini, Tania.
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts (Department of Art History and Communication Studies.)
Rights© Tania Perlini, 2006
Relationalephsysno: 002600959, proquestno: AAIMR32544, Theses scanned by UMI/ProQuest.

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