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Previous issue date: 2014-04-24 / FAPERJ / The purpose of this thesis is to recognize the aims and the historical, political and sociological implications that guided the life and work of Brazilian composer Ant?nio Carlos Gomes (1836-96), which at the apex of the abolitionist movement led to replacement of a black person by a native Brazilian as the main character of his opera Lo Schiavo [The Slave], finished in 1888; he thus repeated the same character utilized in O Guarani, composed eighteen years before. The text focused on the cultural and social relationship between the State and the composer?s artistic production linked to Brazil?s imperial politics; bearing this in mind, an effort was made to ponder the objectives and political implications that led Gomes to substitute a native Brazilian for a black character in The Slave. The research on the life and work of the Brazilian conductor is here conceived as a means for reflecting on the political-cultural ideas that emerged in late nineteenth-century Brazilian urban and educated society, such as Indianism, the greatest form of Brazilian romanticism, and on concepts such as ?patrimonialization? in the moment of the formation of a national social and historical thought. / O objeto central desta pesquisa foi reconhecer os objetivos e as implica??es hist?ricas, pol?ticas e sociol?gicas que nortearam a vida e a obra do compositor campineiro Ant?nio Carlos Gomes (1836-96), e que, mesmo no ?pice do movimento abolicionista, culminaram com a substitui??o do negro pelo ?ndio como personagem central de sua ?pera Lo Schiavo [O Escravo], finalizada em 1888, retomando assim a mesma personagem de sua ?pera O Guarani, composta dezoito anos antes. Enfocou-se neste trabalho a rela??o cultural e social entre o Estado e a produ??o art?stica do compositor vinculada ? pol?tica imperial, e, a partir disso, buscou-se refletir tamb?m acerca das rela??es sociais do maestro Carlos Gomes. A pesquisa acerca da vida e da obra do maestro campineiro ? aqui concebida como um meio para refletir sobre as ideias pol?tico-culturais que emanavam da sociedade brasileira urbana e instru?da da ?poca, como o indigenismo ? express?o m?xima do Romantismo brasileiro.
| Identifer | oai:union.ndltd.org:IBICT/oai:localhost:jspui/1813 |
| Date | 24 April 2014 |
| Creators | ISMAEL, C?sar de Carvalho |
| Contributors | Mattos, Izabel Missagia de, Mattos, Izabel Missagia de, Moreira, V?nia Losada, Abreu, Regina |
| Publisher | Universidade Federal Rural do Rio de Janeiro, Programa de P?s-Gradua??o em Ci?ncias Sociais, UFRRJ, Brasil, Instituto de Ci?ncias Humanas e Sociais |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Biblioteca Digital de Teses e Dissertações da UFRRJ, instname:Universidade Federal Rural do Rio de Janeiro, instacron:UFRRJ |
| Rights | info:eu-repo/semantics/openAccess |
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