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Surrealism in the Piano Music of Representative Twentieth-Century American Composers: With Three Recitals of Selected Works of Ives, Cowell, Crumb, Cage, Antheil, and Others

This study is an examination of the Surrealist movement and its influence on the piano music of twentieth century American composers. The first chapter explores the philosophies of the Surrealists as well as the characteristics found in Surrealist art and literature. The characteristics discussed include: 1) the practice of automatism; 2) the juxtaposition of unrelated themes or images; and 3) the creation of dream-like atmospheres.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc332492
Date05 1900
CreatorsFouse, Kathryn
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatix, 84 leaves : ill., music, Text
RightsPublic, Fouse, Kathryn, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved.

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