This thesis analyzes the work of Hamed Owais, Tahia Halim, and Inji Efflatoun, three artists who were active in Egypt during its era of decolonization following the 1952 Revolution. Using the large-scale public works project of the Aswan High Dam as a lens, this study focuses on the ways in which the construction of the dam and the social, political, and technological changes that it caused were linked to the ways in which Egyptian artists envisioned and employed concepts of time in new ways in their work. Additionally, artists in Egypt, existing outside of the binary of American abstract expressionism and Soviet socialist realism, employed and synthesized new aesthetic ideas in order to achieve their social and political goals. Fundamentally, this thesis argues that the blurred lines of these aesthetics, like the Aswan High Dam itself, reflect the geopolitical tensions that pressurized Egypt in the global Cold War era as it sought independence from imperial influence, and that they capture the ways in which artists in Egypt incorporated particular understandings of temporality into their work during a time of modernization. A close consideration of the work of these artists provides a window into a nuanced understanding of the intersections between aesthetics, politics, and technology in postcolonial Egypt. / Art History
| Identifer | oai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/532 |
| Date | January 2020 |
| Creators | Centore, Kristina |
| Contributors | Neumeier, Emily, Thomas, James M. (James Merle) |
| Publisher | Temple University. Libraries |
| Source Sets | Temple University |
| Language | English |
| Detected Language | English |
| Type | Thesis/Dissertation, Text |
| Format | 66 pages |
| Rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/ |
| Relation | http://dx.doi.org/10.34944/dspace/514, Theses and Dissertations |
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