This thesis will use a case study approach with the purpose of analyzing three female patrons from the early modern period, each serving as individual models for locating forms of identity and self-fashioning through the art they respectively commissioned. As women in unique positions of power, Isabella d' Este, the Marchioness of Mantua, Bess of Hardwick, the second wealthiest woman in Elizabethan England--second only to the queen--and Marie de' Medici, Queen of France, each constructed and maintained a visual program of self-identity through art and architecture. Through an examination of the patronage of these women from different geographical and chronological moments it becomes evident the way in which powerful women were especially capable of exploiting marital and familial circumstances. Twentieth-century Renaissance scholarship has been greatly influenced by the study of individuality and by an effort to understand a uniquely Renaissance experience and manufacturing of identity. I have selected these three particular patrons, from three distinct countries and generations of the early modern period to draw out similarities in their collective experience as women in positions of power. The notion of constructing identity through patronage will be explored in an effort to locate the common factors that further illustrate the fact that in the Renaissance both the internal, subjective experience of self and the more objective experience of collective social, political and religious forces be considered to create a cohesive explanation of the Renaissance formation of identity. / Art History
Identifer | oai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/2305 |
Date | January 2011 |
Creators | Sandoval, Laura |
Contributors | Cooper, Tracy Elizabeth, Hall, Marcia B. |
Publisher | Temple University. Libraries |
Source Sets | Temple University |
Language | English |
Detected Language | English |
Type | Thesis/Dissertation, Text |
Format | 82 pages |
Rights | IN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/ |
Relation | http://dx.doi.org/10.34944/dspace/2287, Theses and Dissertations |
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