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New Voices: A Context For And Sampling Of Song Cycles By Vancouver Composers Since 2005

In June 2013 the Vancouver International Song Institute (VISI) hosted its inaugural Contemporary Performance Studies program. The ten-day event offered student and emerging artist singers and pianists the opportunity to study and perform contemporary works both of their own selection and assigned by the program directors. Among the pieces assigned were works by Vancouver composers, both established professionals and rising talents, that showcased astonishing variety, depth, and excellence in their styles and artistry. The composers at VISI represented the latest generation in a long tradition of art song composition in Canada, but outside of the country's borders, Canada's composers and works are largely unknown. Lack of presence in the international musical canon has unfortunately been a historical issue for Canada. However, as compositional trends have shifted toward neo-tonality, art song in Canada has experienced significant growth in production and performance, particularly in Vancouver. Aided by organizations such as VISI, Canadian art song has been primed to take a prominent position on the international stage.

Identiferoai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/347054
Date January 2014
CreatorsPrins Moeller, Kimberly Joy
ContributorsDauphinais, Kristin, Dauphinais, Kristin, Roe, Charles, Stuckey, William Andrew
PublisherThe University of Arizona.
Source SetsUniversity of Arizona
Languageen_US
Detected LanguageEnglish
Typetext, Electronic Dissertation
RightsCopyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author.

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