abstract: Matilda of Canossa (1046 to 1115), the Great Countess of Tuscany, was a noblewoman, a warrior, and a papal supporter who later generations adapted to satisfy a variety of cultural and ideological interests. Matilda's life as a ruler was amplified over the following five hundred years in an avalanche of words and images that served many purposes. This thesis considers the art produced during her lifetime in the context of disputes over papal authority, as well as art produced about Matilda subsequently. The study includes a discussion of her appearance in Dante's Comedy; her importance to Florentine artists such as Sandro Botticelli, Leonardo da Vinci, and Michelangelo Buonarroti in the 16th century; and concludes with the significance of the elaborate tomb sculpted for her reburial by Gian Lorenzo Bernini in St. Peter's Cathedral. An examination of Matilda through these shifting representations from the 12th to the 17th century enables an understanding of how and why she became an impressive symbol in the visual arts. Finally, the study examines the process through which a strong, powerful woman was transformed from an historical person to a legend. Matilda's remarkable life and myth is still relevant to art historical, religious and cultural studies because of the pervasiveness of her influence a millennium after her death. / Dissertation/Thesis / M.A. Art History 2012
| Identifer | oai:union.ndltd.org:asu.edu/item:14598 |
| Date | January 2012 |
| Contributors | Smith, Rachel Vermiglio (Author), Sweeney, J. Gray (Advisor), Serwint, Nancy (Committee member), Vitullo, Juliann (Committee member), Arizona State University (Publisher) |
| Source Sets | Arizona State University |
| Language | English |
| Detected Language | English |
| Type | Masters Thesis |
| Format | 107 pages |
| Rights | http://rightsstatements.org/vocab/InC/1.0/, All Rights Reserved |
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