In this study I interviewed fourteen professional, First Nations women artists who work
predominantly in the so-called men's style of Northwest Coast art. I conclude that these artists
challenge the rigid dichotomy set forth in the literature between men's and women's art by
successfully working as carvers and designers in the formline style.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:BVAU.2429/3570 |
| Date | 05 1900 |
| Creators | Helweg, Priya Anne |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Relation | UBC Retrospective Theses Digitization Project [http://www.library.ubc.ca/archives/retro_theses/] |
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