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AN URBAN TOPOLOGY OF THE DANCER AS ARTIST Philadelphia 1975-1985

An examination of inner motivations and outer presentations of selected independent post-modern dance artists, who explored dancing in a wider landscape and cityscape while also creating “alternative” working and living spaces within their community, is glimpsed through the microcosm of an era of independent dance and performance that emerged in Philadelphia’s Old City during the 1970’s and 1980’s. This thesis includes a consideration of philosophical inspirations and movement esthetics built from non-modern dance styles and early dissemination of post-modern techniques, along with the political and social implications of art practices in this environment. Concepts and theory further afield are brought to bear in considering the experimenting sensibility of these dance artists and the roles they played in shaping community and urban life. / Dance

Identiferoai:union.ndltd.org:TEMPLE/oai:scholarshare.temple.edu:20.500.12613/1237
Date January 2018
CreatorsFox, Terry
ContributorsFranko, Mark
PublisherTemple University. Libraries
Source SetsTemple University
LanguageEnglish
Detected LanguageEnglish
TypeThesis/Dissertation, Text
Format60 pages
RightsIN COPYRIGHT- This Rights Statement can be used for an Item that is in copyright. Using this statement implies that the organization making this Item available has determined that the Item is in copyright and either is the rights-holder, has obtained permission from the rights-holder(s) to make their Work(s) available, or makes the Item available under an exception or limitation to copyright (including Fair Use) that entitles it to make the Item available., http://rightsstatements.org/vocab/InC/1.0/
Relationhttp://dx.doi.org/10.34944/dspace/1219, Theses and Dissertations

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