<p> Experiments have shown that manipulations of vocal fundamental frequency, a physical correlate of voice pitch, alter perceptions of vocal attractiveness. Individual experiments, however, have found different effects of pitch manipulations on attractiveness. One possible explanation for the disparate findings may be differences in the strength of pitch manipulations used between studies. The focus of this thesis is to determine psychophysical properties of vocal attractiveness based on pitch manipulations. Within the thesis, two experiments are described that were designed to find just-noticeable differences in vocal attractiveness based on pitch manipulations. The experiments were also designed to determine if there are limits for voice pitch preferences. Relevant background concepts to the thesis are described in Chapters 2-5, and a manuscript is presented in Chapter 6 that describes the methods and results of the experiment, and gives a discussion of the findings.</p> <p> In Chapter 2, the basic anatomy underlying vocal production is explained, including the anatomical structures involved in the source-filter model of vocal production.</p> <p> In Chapter 3, relevant acoustic properties of the voice are described, including fundamental frequency, harmonics, and formant frequencies.</p> <p> In Chapter 4, the basic anatomy involved in audition is explained, including how sound is propagated through the ear.</p> <p> In Chapter 5, a brief review of previous psychophysical research on pitch discrimination and perceived vocal traits is given.</p> <p> In Chapter 6, two experiments are described. Experiment 1 was designed to determine just-noticeable differences in voice pitch discrimination. Experiment 2 was designed to determine just-noticeable differences in voice attractiveness based on manipulations of voice pitch. Experiment 2 was also designed to assess potential limits to voice pitch preferences for supernormal stimuli. Just-noticeable differences in vocal attractiveness were larger than just-noticeable differences in pitch discrimination. Just-noticeable differences in attractiveness were larger in women's voices than men's. There was no limit in men's preferences for highpitched voices, however there was a limit for women's preferences for low-pitched voices below the natural male pitch range.</p> / Thesis / Master of Science (MSc)
| Identifer | oai:union.ndltd.org:mcmaster.ca/oai:macsphere.mcmaster.ca:11375/17383 |
| Date | January 2009 |
| Creators | Re, Daniel E. |
| Contributors | Feinberg, David R., Psychology |
| Source Sets | McMaster University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis |
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