This study examines the relationship between sonnet form and musical form in Benjamin Britten's sonnet cycles with a view toward identifying the musico-poetic form how the musical form interprets the poetry. Several issues come to the fore: 1) articulation of the large-scale divisions of the poetic form in the music; 2) potential of the musical setting to make connections between lines of the text ; 3) potential of the musical setting to follow or imitate the thought processes of the poem; and 4) placement of the departure and return.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc935804 |
| Date | 08 1900 |
| Creators | Stroeher, Vicki Pierce |
| Contributors | Collins, Michael (Michael B.), 1930-2011, Phipps, Graham Howard, Bush, Deanna D., Wright, Eugene Patrick, 1936- |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xiv, 600 leaves : ill., music., Text |
| Rights | Public, Stroeher, Vicki Pierce, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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