This thesis embarks upon a thorough investigation into the relationship between genre and interpretation, using the principle of narrative coherence to provide a methodological basis upon which to build. It argues that the attempt to find a single or even simple hybrid genre for Acts is an academic cul-de-sac that is curtailing effective progress, and advocates instead a model of fluid intertextuality that sees the author make use of many different genres. It then goes on to explore these findings in three separate studies, all of which make use of different intertextual and generic frameworks to interpret the text in new ways. The first study makes use of a device seen in Epic and Tragedy, the second makes use of wider systems of characterisation, particularly of divinely elected heroes, and the third looks at the use of comedy in sections of the narrative. Overall, the conclusion of the thesis is that only a change in methodological basis from history and source to narrative and text will allow biblical studies to make substantial progress in the interpretation of the scriptures.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:566089 |
| Date | January 2012 |
| Creators | Bale, Alan |
| Publisher | University of Birmingham |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://etheses.bham.ac.uk//id/eprint/3893/ |
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