Guanyin Who Brings Sons usually represented as a
white-robed lady carrying a baby in her arms, is a famous goddess specializing in granting
sons widely worshiped in China. Developed from a promise of Guanyin to bring children to
people in the "Universal Gateway" chapter of Lotus Sutra, a significant scripture promoting
Guanyin belief, she is not an independent deity different from Guanyin, the Bodhisattva
Avalokitasvara or the Goddess of Mercy in Mahayana Buddhist tradition. Personalizing and
embodying Guanyin's power of bringing children, she is one form of Guanyin's various
manifestations.
The establishment of the cult of Guanyin Who Brings Sons in China has a long history,
which was closely associated with the development of Guanyin worship in China. Having the
same Buddhist background as Guanyin, Guanyin Who Brings Sons experienced the same
Chinese transformation as Guanyin did in her development in China. The Chinese
transformation of Guanyin occurred under the impact of Chinese traditional culture, social
values and indigenous religions after the worship of her had been introduced to China. The
result of it is to make her widely accepted by the Chinese and to be deemed as a deity with
Chinese characteristics. As a manifestation of Guanyin, Guanyin Who Brings Sons was also
syncretized with Chinese culture and gained her Chinese image during the transformation.
The Sinicized cult of Guanyin Who Brings Sons had different belief dimensions, which can
be basically divided into orthodox Buddhism and folk Buddhism. Moreover, her duty was no
longer confined to the function of granting sons. She was charged with the responsibilities
concerning childbirth and childcare to become the patron of women and children.
The objective of this thesis is not only to draw a sketch of the development of this cult in
China from miracle tales, indigenous scriptures, scholars' field reports and other historical
materials, but also to explore the different belief dimensions of this cult and compare the roles
of Guanyin Who Brings Sons in these dimensions, in order to investigate the Chinese
transformation reflected in them. / Arts, Faculty of / Asian Studies, Department of / Graduate
| Identifer | oai:union.ndltd.org:UBC/oai:circle.library.ubc.ca:2429/11674 |
| Date | 11 1900 |
| Creators | Chuu, Ling-in Lilian |
| Source Sets | University of British Columbia |
| Language | English |
| Detected Language | English |
| Type | Text, Thesis/Dissertation |
| Format | 11683397 bytes, application/pdf |
| Rights | For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
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