The intent of this dissertation is to explore the development of wind bands in China and the integration of the saxophone into these performing groups, beginning from the late Qing Dynasty through the early Republican era and contemporary military bands and wind bands. While acknowledging the historical context, this study concentrates on the role of the saxophone in selected compositions for wind band. By examining the cultural motivations that inspired Chinese composers to incorporate the saxophone into the fabric of the wind band repertoire, the document sheds light on the distinctive soundscape to which it contributes. The research includes a focused examination of esteemed composers such as Chen Qian (陈黔, chén qián), whose innovative works bridge traditional Chinese musical idioms and Western influences; Chen Yi (陈怡, chén yí), recognized for her integration of Chinese folk elements into the wind band genre; Bright Sheng (盛宗亮, shèng zōngliàng), whose compositions reflect a confluence of cultural narratives; and Wang Hesheng (王和声, wáng héshēng), known for his contributions to the development of Chinese wind music.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc2356176 |
| Date | 07 1900 |
| Creators | Gao, Dongyue |
| Contributors | Trachsel, Andrew, Clardy, MaryKaren, Nestler, Eric |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Gao, Dongyue, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
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