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Uncovering Faces: the Removal of Discolored Varnish from Tudor Portraits

A discussion of possible means by which the varnish of Master John's portrait of Katherine Parr (c.1545) might be conserved, providing historical context and a description of new conservation methods.

Identiferoai:union.ndltd.org:CLAREMONT/oai:http://scholarship.claremont.edu/do/oai/:scripps_theses-1301
Date01 April 2013
CreatorsCarter, Kathleen
PublisherScholarship @ Claremont
Source SetsClaremont Colleges
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceScripps Senior Theses
Rights© 2013 Kathleen Carter

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