(in English): Śaratcandra Caṭṭopādhyāẏ is one of the most beloved Bengali authors, but has so far received only a very limited academic attention. The thesis briefly introduces the author's life and subsequently analyses his work using the terms and methods of contemporary narratology. Its primary goal is to contest traditional critical views of Śaratcandra as an overly emotional author for bored housewives. Śaratcandra intriguingly uses various literary devices (especially his narrators and focalisation) to enhance intimacy between the reader and the characters which finally leads to the reader's greater emotional involvement in the presented events. His usage of types of characters also innovatively combines ancient Indian types, real-life observations and western literary forms. The author juxtaposes characters in order to introduce a critique of social, religious and gender inequality, and to add an emotional argument to Īśvarcandra Vidyāsāgar's intellectual and legal endeavour. It is also possible to interpret Śaratcandra's work and the author himself - in contrast to Rabīndranāth Ṭhākur and Baṅkimcandra Caṭṭopādhyāẏ - as one of the most important modern descendants of the Mahābhārata tradition of Indian literature.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:452191 |
| Date | January 2021 |
| Creators | Špicová, Zuzana |
| Contributors | Hříbek, Martin, Hons, Pavel |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0021 seconds