This paper details the production of the short film Beyond Memory from conception through completion. Particular attention is paid to the application of Deleuze’s time-image and film noir as a genre.
| Identifer | oai:union.ndltd.org:uno.edu/oai:scholarworks.uno.edu:td-3241 |
| Date | 13 May 2016 |
| Creators | Beaudet, Madison |
| Publisher | ScholarWorks@UNO |
| Source Sets | University of New Orleans |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | University of New Orleans Theses and Dissertations |
| Rights | http://creativecommons.org/licenses/by-nc/4.0/ |
Page generated in 0.0014 seconds