Borges’s literary production, particularly between 1923 and 1955, drastically changes in its depiction of Buenos Aires. The city that Borges considered his home was the center of various political and cultural changes in Argentina during those years, and the more that Argentina changed, the deeper Borges’s disillusionment became.
Examining these changes in the depiction of themes such as city, community, and history, we can better understand the process of disillusionment by which Borges begins with a utopic view of Buenos Aires that becomes dystopic before it is abandoned in order to imagine a new utopia. / Includes bibliography. / Dissertation (Ph.D.)--Florida Atlantic University, 2021. / FAU Electronic Theses and Dissertations Collection
Identifer | oai:union.ndltd.org:fau.edu/oai:fau.digital.flvc.org:fau_82088 |
Contributors | Baccinelli, Mitchel (author), Poulson, Nancy Kason (Thesis advisor), Florida Atlantic University (Degree grantor), Department of Languages, Linguistics and Comparative Literature, Dorothy F. Schmidt College of Arts and Letters |
Publisher | Florida Atlantic University |
Source Sets | Florida Atlantic University |
Language | Spanish |
Detected Language | English |
Type | Electronic Thesis or Dissertation, Text |
Format | 130 p., application/pdf |
Rights | Copyright © is held by the author with permission granted to Florida Atlantic University to digitize, archive and distribute this item for non-profit research and educational purposes. Any reuse of this item in excess of fair use or other copyright exemptions requires permission of the copyright holder., http://rightsstatements.org/vocab/InC/1.0/ |
Page generated in 0.1234 seconds