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The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza

Eugène Bozza is a three-time winner of the Premier Prix from the Paris Conservatory, in violin, conducting, and composition divisions. He earned his reputation as a master composer of wind music, and contributed a great amount of repertoire to the woodwind family. This document contains a short biography of Eugène Bozza’s life, including his student years and his career as a composer. The purpose of this study is to provide information of how Bozza transferred, adopted and remade his own music among his wind compositions. This document shows that Bozza’s methods of musical adoption warrant a close examination in order to offer greater insight into the mind of a masterful composer. Discussion of Bozza’s compositions includes Aria (1936), Fantasie Italienne (1939), Pulcinella (1944), Concerto (1952), Idylle (1959), Caprice-Improvisation (1963), Épithalame (1971), Suite (1974), Trois Mouvements for Flute and Clarinet (1974), Graphismes for Clarinet Solo (1975), 14 Études de Mécanisme (1948), 12 Études (1953), 11 Études sur des Modes Karnatiques (1972), and Contrastes III for Clarinet and Bassoon (1977).

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc822842
Date12 1900
CreatorsLiu, Hsing-Fang
ContributorsScott, John C. (John Charles), 1947-, Fisher, Dennis W., Cole, Kimberly
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Liu, Hsing-Fang, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.
RelationLecture recital: June 8, 2015, ark:/67531/metadc983888, Recital: April 7, 2009, ark:/67531/metadc86286, Recital: June 10, 2008, ark:/67531/metadc67580, Recital: November 27, 2007, ark:/67531/metadc52445

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