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The Role of the Secondary Dominant in the Solo Works for Piano by Brahms and Dvorak

The harmonic practices of the late romantic period are often discussed in general terms, categorical phrases, and a score of subjectivisms characteristic of the era. It is the purpose of this thesis to clarify certain aspects of the harmonic vocabulary which developed in the late romantic period.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc798409
Date01 1900
CreatorsWebb, Kristin
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatv, 110 leaves : ill., music, Text
RightsPublic, Webb, Kristin, Copyright, Copyright is held by the author, unless otherwise noted. All rights

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