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Harmonic and Contrapuntal Techniques in the Late Keyboard Works of Cesar Franck

This study examines the five late keyboard works of Cesar Franck: the Prelude, Chorale, and Fugue and the Prelude. Aria, and Finale for piano, and the three organ chorales. The study focuses on harmonic and contrapuntal techniques and their interrelationships, placing the discussion in the context of an analysis of the whole piece. The primary goal is to identify the salient characteristics of each piece; a secondary goal is to identify common harmonic and contrapuntal aspects of Franck's style.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc279361
Date05 1900
CreatorsCranford, Dennis R. (Dennis Ray)
ContributorsPhipps, Graham Howard, Collins, Michael (Michael B.), 1930-2011, Cho, Gene J., Crowder, (Robert) Douglas
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Formatxv, 352 leaves: music, Text
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Cranford, Dennis R. (Dennis Ray)

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