My Master of Fine Art research explores the fracturing and fermentation that occurs when two cultural identities first collide, then begin to merge, one traditionally steeped in collective thinking and community – Korea, and the other with a focus on the individual and autonomy – Canada. I was trained as an artist in South Korea and learned from masters who had decades of experience in the field of traditional ceramics. Until I moved to Canada, my work focused on Korean traditional ceramics and its history. However, my desire to be recognized as an individual artist instead of another anonymous traditional ceramic artist has grown tremendously since I restarted my journey as a ceramic artist here in Canada. After practicing in the ceramics field in North America for two years, I am starting to understand what the differences are between Korea, where I received my initial education, and Canada, my adopted culture. The struggles I have experienced as an artist from outside of this new culture made me think about myself as an individual. I am now starting to discover my own unique voice in my work with clay. / October 2016
| Identifer | oai:union.ndltd.org:MANITOBA/oai:mspace.lib.umanitoba.ca:1993/31543 |
| Date | 29 July 2016 |
| Creators | Han, Joo Young (Grace) |
| Contributors | Nickel, Grace (School of Art), Steggles, Mary Ann (School of Art) Roy, Elizabeth (School of Art) Wilson Baptist, Karen (Landscape Architecture) |
| Source Sets | University of Manitoba Canada |
| Detected Language | English |
Page generated in 0.0021 seconds