José Siqueira is one of the most influential and productive Brazilian composers of the twentieth century. He crafted a compositional system in 1941 which he called the Trimodal System, based on the three most present scalar modes in the Brazilian Northeastern folkloric tradition. As a composer of nationalist impulse, the process of developing the system was inspired by a desire to create a music that truly represented Brazilian culture. This originated what can be called his Trimodal compositional period, characteristics of which would persevere through his future compositions.
This research analyzes Siqueira’s Concertino for Violin and Chamber Orchestra (1972) through the lens of his system. In his book, “O Sistema Modal da Música Brasileira,” the composer does not mention any of his concertinos as examples of pieces in which he utilized the Trimodal System. This study, however, observes that the System was embedded in his compositional style, even though he did not overtly make this claim. The examination of the piece also utilizes set-theory and pitch-class centricity in a post- tonal analytical approach.
Pitch-class coherence is sought through the methodology developed by clarinetist vii
and professor Aynara Silva (2013). In her research she listed 45 prominent pitch-class sets in Siqueira’s system. Thus, this present research aims to provoke a reflection regarding the placement of the violin concertino within the system, opening a new field of study for additional scholars to further investigate his concertinos.
In addition to the analytical viewpoint, this dissertation provides guidance on the violinistic aspects of the piece, incorporating relevant elements from the violin technique found in the piece. As fruit of this research, this work includes the first revised edition of the concertino’s piano reduction and the violin part, working directly from Siqueira’s autograph. This edition will make the piece more accessible to players, possibly resulting in it being played more often, and in turn, being known by the general public as well as to music connoisseurs.
| Identifer | oai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/42609 |
| Date | 17 May 2021 |
| Creators | Peixoto, Fabio Silva |
| Contributors | Wallace, John H. |
| Source Sets | Boston University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
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