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Richard Strauss's Duett-Concertino: A Study of the Programmatic Elements for the Performer

Richard Strauss's Duett-Concertino for Clarinet and Bassoon with Strings and Harp, AV 147 was one of the last works written by this celebrated composer. This double concerto has been largely unrecognized by performers and scholars until a recent surge in recorded performances. Some factors that hinder performances of the Duett-Concertino include unusual scoring and difficult rhythmic passages, as well as a lack of acknowledgement or understanding of the programmatic elements represented in the music. Sketches and letters show that the Duett-Concertino was inspired by a fairytale, which may have been the popular Beauty and the Beast. The programmatic analysis in this study examines the musical gestures of the piece, which, when combined with the cues provided in the sketches and letters, construct a musical interpretation of the fairytale. Recognition of the extra-musical features of the Duett-Concertino is essential for an effective performance and, in turn, creates additional performance possibilities such as narration and choreography.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc5543
Date05 1900
CreatorsTurley, Sarah Leigh
ContributorsGillespie, James, Bush, Deanna D., Scott, John C. (John Charles), 1947-
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsUse restricted to UNT Community (strictly enforced), Copyright, Turley, Sarah Leigh, Copyright is held by the author, unless otherwise noted. All rights reserved.

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