The rhythmic analyses (derived from the rhythm tables of Chapter II) reveal: 1. Walton used rhythms sparingly. 2. Walton's rhythms constitute an evolutionary state of re-creation, i. e., Walton's rhythms are in empathy with each other. The harmonic analyses (derived from the harmonic fluctuation tables of Chapter II) reveal: 1. The most frequent chords of any classification occur in groups III and IV (chords of the highest tension). 2. The most frequent dissonant interval used is that of the major seventh.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc699730 |
Date | 01 1900 |
Creators | Pipkin, Robert Joseph |
Contributors | Ottman, Robert W., Dorn, Gerhardt George, 1911- |
Publisher | North Texas State College |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | v, 54 leaves: music, Text |
Rights | Public, Pipkin, Robert Joseph, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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