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Carnivalization of Music: A New Perspective on Robert Schumann’s Two Piano Cycles, Carnaval, op. 9 and Faschingsschwank aus Wien, op. 26

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Identiferoai:union.ndltd.org:OhioLink/oai:etd.ohiolink.edu:ucin1659535982263684
Date22 August 2022
CreatorsLee, Roo Mee
PublisherUniversity of Cincinnati / OhioLINK
Source SetsOhiolink ETDs
LanguageEnglish
Detected LanguageEnglish
Typetext
Sourcehttp://rave.ohiolink.edu/etdc/view?acc_num=ucin1659535982263684
Rightsunrestricted, This thesis or dissertation is protected by copyright: all rights reserved. It may not be copied or redistributed beyond the terms of applicable copyright laws.

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