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An (urban channel) for music & media arts. / (Urban channel) for music and media arts / 與眾同樂 / Yu zhong tong yue

Lam Wai Chiu Thomas. / "Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 1999-2000, design report." / Includes bibliographical references (p. 111-112). / ACKNOWLEDGEMENT --- p.1 / PREFACE --- p.2 / SYNOPSIS +OBJECTIVES --- p.3 / INTRODUCTION --- p.4 / Definitions --- p.4 / media transmission model (semiotics anlysis) / multiplicity Nature of Pop Culture in Hong Kong / Background --- p.7 / Hybrid Culture in Hong Kong / Pop Music & Society / Emergence of Visual Music (music+text+image) / Karaoke Culture / Issues --- p.21 / Passive Role in absorbing messages & information / Existing States & Potentials --- p.22 / Lack of physical sign & identity to foster the growth / of public participation & real understanding / Insufficient adaptation & spatial requirements for Production / Social values & norms / Economic in transformation / Conceptual framework --- p.25 / Transient events / A Mode of Mutation - programmatic dissociation / Architecture as a Medium for Communication / Media Art Therapy Workshop- Public Atelier / PROJECT BRIEF --- p.29 / Broadcast media Market in Asia --- p.29 / Regionalism / Regional Hub / Regional Headquarters / Broadcast Media in Hong Kong / Emergence of Cross-Discipline Business --- p.33 / Clients Profile --- p.34 / Clients structure establishment / URA / Background & establishment / Roles & Goals / Hutchison Whampoa Limited (HWL) / Background & establishment / Ideology & Goals / The News Corporated Ltd (Channel[V)) / Background & establishment / Ideology & Goals / Existing Deficiencies / Sony(HK) Company Ltd. / History & establishment / Mission / Strategy& Goals / Existing Deficiencies / Project Finance Viability --- p.42 / Major user types & activities --- p.44 / Project Significance to Soceity --- p.45 / PROGRAMME --- p.46 / Design Considerations for broadcasting studio --- p.46 / Multi-purpose performance space / MTV production & Broadcasting Studio / Components/Schedule of Activities --- p.47 / Functional & Spatial Relationship --- p.48 / Schedule of Accommodation --- p.51 / SITE SELECTION & DETAIL ANALYSIS --- p.58 / Criteria for site options selection --- p.58 / Site selection evaluation --- p.59 / large pedestrian flow & density / site accessibility / close to mass transportation node / adjacent to public space for performance / existing relevant activities / site character & image / low environmental image / high development potential / Final Decision & Site Study --- p.66 / Development Control --- p.75 / RESEARCH & FIELD WORKS --- p.76 / Pop Art Culture & Society --- p.76 / Popular Culture Effects on Society and Its Audience --- p.78 / Media Art of the Electronic Age --- p.80 / Concept of Mediarchitecture --- p.82 / Concept of Publicity/Privacy --- p.85 / Publicity & Media Arts / Privacy Vs Publicity / Virtual Space / Spatial Publicity / Visual/Audio Publicity / Degree of Public Participation & Involvement~ --- p.91 / Accessibility and Degree of Transparency --- p.93 / CASE STUDIES --- p.96 / IRCAM --- p.96 / Event Zone in building as Communication / La Cite de la Museique --- p.99 / An architecture of Music / Channel 4 Headquarter --- p.102 / Movement of building / Pompidou Center --- p.104 / How a building creates urban space / SONY Tower --- p.107 / Building as Sign / Center for Art & Media Technology --- p.109 / Public events as Medium for Communication / BIBLIOGRAPHY --- p.111 / APPENDIX --- p.113 / Interviews Report --- p.113 / Newspaper Cutting --- p.117

Identiferoai:union.ndltd.org:cuhk.edu.hk/oai:cuhk-dr:cuhk_322952
Date January 2000
ContributorsLam, Wai Chiu Thomas., Chinese University of Hong Kong Graduate School. Division of Architecture.
Source SetsThe Chinese University of Hong Kong
LanguageEnglish
Detected LanguageEnglish
TypeText, bibliography
Formatprint, 151 p. : ill., plans ; 30 cm.
CoverageChina, Hong Kong, China, Hong Kong, China, Hong Kong, China, Hong Kong
RightsUse of this resource is governed by the terms and conditions of the Creative Commons “Attribution-NonCommercial-NoDerivatives 4.0 International” License (http://creativecommons.org/licenses/by-nc-nd/4.0/)

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