abstract: My dissertation topic engages in the trajectory of Roma/Gitano culture and flamenco and its implications for Chicanx culture in New Mexico. New Mexicans have the reputation amongst US Chicanx as referring to themselves as Hispanic and aligning culturally with a Spanish sensibility. Historically in the larger US Chicanx community this type of popularity for flamenco would be described as typical of New Mexico’s wavering Chicanidad that yearns to be connected to a Spanish colonial past more than to its indigenous Mexican roots. However, I believe the reality is a bit different. What makes New Mexican Chicanx different from the larger US Chicanx community is that they utilize flamenco and its Gitano roots as a cultural example of their Chicanidad. There is scant research on how Chicanidad as a historical movement has been influenced by the flamenco culture that exists in New Mexico. This dissertation will begin a conversation that places flamenco and the precarious identity of Chicanx, Gitanos and Nuevomejicanos in dialogue through the body, the art form, and the cultural stylings of flamenco rooted in the Flamenco Festival Internacional de Albuquerque (FFI). / Dissertation/Thesis / Doctoral Dissertation Theatre 2019
| Identifer | oai:union.ndltd.org:asu.edu/item:53796 |
| Date | January 2019 |
| Contributors | Acevedo-Ontiveros, Erica Gabriela (Author), Underiner, Tamara (Advisor), Bowditch, Rachel (Committee member), Hayes, Michelle H (Committee member), Lopez, Tiffany A (Committee member), Arizona State University (Publisher) |
| Source Sets | Arizona State University |
| Language | English |
| Detected Language | English |
| Type | Doctoral Dissertation |
| Format | 253 pages |
| Rights | http://rightsstatements.org/vocab/InC/1.0/ |
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