My thesis aims to map the art historical, religious and cultural influences in Chiho Aoshima’s work, particularly in her 2015 solo show Rebirth of the World at Seattle Asian Art Museum. I will start with an outline of the artist’s overall oeuvre, focusing specifically on her aesthetic development. This will set up an introduction of the main elements I see in her work (Shinto beliefs, yōkai/ukiyo-e aesthetic references, and references to A Cyborg Manifesto). The thesis will essentially be a case study of Rebirth of the World, using specific mediums as evidence for the presence of these influences in her work. My thesis is essentially Chiho Aoshima’s work is a seamless blend of the history and culture of Japan, while still grounding her practice in critical, contemporary theories of subversion. Her work is a gripping nod to the past but it is very much contemporary and critical, and it is easy to overlook all the threads woven into the fabric of her oeuvre.
| Identifer | oai:union.ndltd.org:CLAREMONT/oai:scholarship.claremont.edu:scripps_theses-2388 |
| Date | 01 January 2019 |
| Creators | Dubery, Emma |
| Publisher | Scholarship @ Claremont |
| Source Sets | Claremont Colleges |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Scripps Senior Theses |
| Rights | © 2019 Emma R Dubery, default |
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