The euphonium has been an integral part of wind bands and brass bands for more than a century. During this time the instrument has grown in stature in both types of band, as an ensemble member and a solo instrument. Until recently, however, the instrument has been underrepresented in orchestral literature, although a growing number of composers are beginning to appreciate the characteristics of the instrument. The purpose of this research is to explore the perceived rise of the euphonium in an orchestral environment through analyzing the significance of the role it plays within Lorin Maazel's Music for Flute with Tenor Tuba Obbligato (1995) and Karl Jenkins' Cantata Memoria (2005); specifically, how the euphonium contributes to the orchestral scores in relation to its capabilities as an instrumental voice.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc1707374 |
| Date | 08 1900 |
| Creators | Kittaweepitak, Boonyarit |
| Contributors | Childs, David, Corporon, Eugene, Little, Donald C. |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | iv, 52 pages : illustrations, music, Text |
| Rights | Public, Kittaweepitak, Boonyarit, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
| Relation | Recital: April 28, 2017, not yet digitized, Recital: December 1, 2017, not yet digitized, Recital: April 2, 2019, not yet digitized |
Page generated in 0.0034 seconds