Recent Berlioz studies tend to stress the significance of the French tradition for a balanced understanding of Berlioz's music. Such is necessary because the customary emphasis on purely musical structure inclines to stress the influence of German masters to the neglect of vocal and therefore rhetorical character of this tradition. The present study, through a fresh examination of Berlioz's vocal-orchestral scores, sets forth the various orchestrational patterns and the rationales that lay behind them.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc277761 |
| Date | 05 1900 |
| Creators | Lee, Namjai |
| Contributors | Adkins, Cecil, Brothers, Lester Dwayne, 1945-, Brusilow, Anshel, Mauldin, R. Daniel |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | xi, 368 leaves : ill., Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Lee, Namjai |
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