Thesis advisor: Christopher Constas / Thesis advisor: Brian Braman / The literary character of Batman, first introduced by Action Comics in 1939, has been reincarnated several times in popular culture through graphic novels, radio, video games, television shows, and movies (Boxer). Christopher Nolan’s Batman movies, however, portray only a fraction of the episodes and villains presented in the comic books, while reflecting on universal cultural, psychological, mythological, and social themes, archetypes, and conflicts. In an interview with the Film Society of Lincoln Center, Nolan explains that he was trying to portray Batman as an extraordinary character in the fabric of an ordinary city with familiar traits that would be recognizable to the audience. The theatrical Batman, with high-tech devices and powerful combat tactics, creates a stunning contrast against the dismal background of Gotham. Nolan designed Gotham in this way to remind the public that “[i]n America we take for granted a stability to our class and social structure that has never been sustained elsewhere in the world. In other words, this sort of thing has happened in countries all over the world, why not here? And why not now” (Foundas)? While he acknowledges that his movies are open to numerous political, religious, philosophical, and economical interpretations, on a deeper level, Nolan seems to have wanted to create these movies as a response to this eternal struggle of society against the forces of chaos and injustice, part of the inherent conflict of the human condition. Nolan also addresses the numerous factors that contribute to the incitement of such chaos, including government censorship, lying, and covert violence, which, paradoxically, are often used as justifications for preserving the social order. Several of the aspects of Batman Begins, The Dark Knight, and The Dark Knight Rises are applicable to modern society; others are influenced by monumental historical events. One of the crucial themes of Nolan’s trilogy is the search to understand what it truly means to fulfill the role of the Batman, that is, the role of a guardian of order and justice against the forces of chaos and injustice. / Thesis (BA) — Boston College, 2013. / Submitted to: Boston College. College of Arts and Sciences. / Discipline: Philosophy Honors Program. / Discipline: Philosophy.
| Identifer | oai:union.ndltd.org:BOSTON/oai:dlib.bc.edu:bc-ir_102400 |
| Date | January 2013 |
| Creators | McCullough, Katherine L. |
| Publisher | Boston College |
| Source Sets | Boston College |
| Language | English |
| Detected Language | English |
| Type | Text, thesis |
| Format | electronic, application/pdf |
| Rights | Copyright is held by the author, with all rights reserved, unless otherwise noted. |
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