The thesis explored the theoretical implications of the African Revolution through an examination of its radical cinematic inventions. My research investigated points where the cinema screen became a site of radical gathering and ambitions of cinema emerged that expressed a revolutionary desire. The thesis mapped out a relational geography between different late liberation struggles of the 1970s and 1980s produced by cinema in the networks of connections lived out and constructed through radical drives. The exploration of aesthetics of liberation is the point of departure to investigate how screens, as urban surfaces of projection and reflection, appearance and masking, emerge from the world and have material and psychical effects in the world.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:524910 |
| Date | January 2007 |
| Creators | Gray, Ros |
| Publisher | Goldsmiths College (University of London) |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://eprints.gold.ac.uk/3080/ |
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