This thesis investigates the portrayal of the Mariupol Theatre Airstrike withinthe Russo-Ukrainian War through a discourse analysis of news articles fromdiverse media outlets in Russia, Ukraine, France, Germany, the UK, and theUS. The study employs a qualitative comparative case study approach withinthe academic domain of targeting civilians in war. By applying the lenses oftraditionalist and revisionist perspectives within the theoretical framework ofJust War Theory, the research aims to understand how moral judgements aremanifested in the discourses presented by the media outlets reporting on theMariupol Theatre Airstrike. Notably, the findings reveal a dichotomy in media reporting: Russian mediaadopts a blend of traditionalist and revisionist positions, while Westernmedia also exhibits a blend of both positions, leaning more towards therevisionist perspective. By focusing on the specific case of the MariupolTheatre Airstrike, the study aims to provide a comprehensive analysis thatcontributes to the broader understanding of the complexities of media and theprovide a nuanced understanding on how moral judgments are being exhibited in the Russo-Ukrainian War.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:lnu-127093 |
| Date | January 2023 |
| Creators | Heideman, Erik, Eriksson, Kelvin |
| Publisher | Linnéuniversitetet, Institutionen för samhällsstudier (SS) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0019 seconds