The term apotropaia is conventionally understood to refer to a specific type of protective magic in which an object possesses a supernatural ability to avert evil from its human users, the practice of which is generally assumed to be a facet of human behavior so fundamental in nature that it is applied universally and rarely subjected to critical review. The application of such a universal approach to the tutelary magic of ancient Greece is problematic, particularly in light of the concept’s origination in outdated treatments of the ancient world. This study intends to examine the human agency that directs the selection and use of protective magic in the art of Archaic, Classical, and Hellenistic Greece, to explore how, why, and under whose agency the visual expression of apotropaic motifs developed, and to situate all of these answers in their relevant historical and cultural contexts. A chronological examination of the evidence reveals a distinct shift in agency over time, in which early appeals to the gods for protection gradually give way to a preference for human ritual behaviors that purport to provide the same security. The apotropaic element of the iconography of the ancient gorgon is developed gradually, as it grows from an image that symbolizes divine action to one that can be used by humans with individual, non-divine agency, all of which occurs against a backdrop of larger changes in the perception of the roles of gods and men. These shifts reveal the existence of a clear human need, in the years following the Hellenistic period, to secure protection from non-standard sources, or, in those cases where the Greek gods are preferred, to use the deities as tools in service to human needs. Furthermore, these diachronic shifts in tutelary agency correspond to periods of socio-economic crisis, perhaps as the result of general losses of faith in the divine. As a result, a pattern emerges in which the early reliance on the gods for protection gives way to a human need to assert control over one’s circumstances by any means necessary. / A Dissertation submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy. / Summer Semester 2017. / May 5, 2017. / apotropaic, evil eye, gorgon, protective magic, ship eyes / Includes bibliographical references. / Christopher Pfaff, Professor Directing Dissertation; David Levenson, University Representative; Svetla Slaveva-Griffin, Committee Member; Daniel J. Pullen, Committee Member.
| Identifer | oai:union.ndltd.org:fsu.edu/oai:fsu.digital.flvc.org:fsu_552314 |
| Contributors | Habib, Reema Raihana (authoraut), Pfaff, Christopher A. (professor directing dissertation), Levenson, David B. (university representative), Slaveva-Griffin, Svetla (committee member), Pullen, Daniel J., 1954- (committee member), Florida State University (degree granting institution), College of Arts and Sciences (degree granting college), Department of Classics (degree granting departmentdgg) |
| Publisher | Florida State University |
| Source Sets | Florida State University |
| Language | English, English |
| Detected Language | English |
| Type | Text, text, doctoral thesis |
| Format | 1 online resource (338 pages), computer, application/pdf |
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